Smell The Magic series by Kris Knight. “Gentle, almost delicate portraits of young men are a parade of characters that Knight continuously inhabits in metaphor; physical manifestations of the full array of the artist’s internal psychological tones. They are secretive, veiled faces that do not directly address the viewer; rather, they are in quiet repose filled with restlessness. Knight draws both technical and contextual elements from the Late Baroque and Rococo movements embodied by artists such as Poussin, Fragonard, and especially portraitists such as Reynolds, Gainsborough, and Vigée-Le Brun. His portraits of fragile youths are charged with sexual tension, completely self-aware, but fiercely guarded.” — Spinello Projects
Kris Knight is a Canadian painter whose work examines performance in relation to the construction, portrayal and boundaries of sexual and asexual identities. Drawing from personal histories of rural escapism through imagination, Knight paints disenchanted characters that are lost between youth and adulthood; they hide their secrets, but desperately long to let them go. His mythical and ambiguous portraits are a synthesis of fantasy and real-world memory; they tiptoe between the dichotomies of pretty and menace, hunter and hunted, innocence and the erotic. Throughout Knight’s professional practice, he has created thematic bodies of work that reference historical notions of regality, mysticism, romanticism and symbolism. He often skews these concepts with contemporary interests in androgyny, psychotropic alterations and the post-modern gaze. Knight’s lustrous classical cum illustrative figurative paintings, stride between a contradicting palette of sensual primaries and ghostly pastels, reflecting his adoration for 18th Century French portraiture and polaroid photography.
“Famous Chunkies” illustration series by an Chicago, IL based artist Alex Solis.
“While watching a Ninja Turtles cartoon with my daughter, we kept making fun of them and asking how they are so fast and in shape when their diet consists mainly of pizza. I felt like it was sending the wrong message to kids, and I noticed a lot of others cartoons did the same thing. At first I started the project with the intention of just creating that one illustration, but it was too much fun to stop there! It’s a good way to raise awareness about unhealthy eating, especially with young kids. It catches their attention quickly.” — Alex Solis